{"id":282,"date":"2025-07-02T21:05:52","date_gmt":"2025-07-02T21:05:52","guid":{"rendered":"https:\/\/grants.uccs.edu\/illuminating-the-past\/?page_id=282"},"modified":"2026-01-18T18:24:49","modified_gmt":"2026-01-18T18:24:49","slug":"working-with-artifacts","status":"publish","type":"page","link":"https:\/\/grants.uccs.edu\/illuminating-the-past\/working-with-artifacts\/","title":{"rendered":"Working with Artifacts"},"content":{"rendered":"\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">What types of materials can I investigate with the Ghost Camera?<\/h2>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">One of the benefits of the Ghost Camera system is portability. Imaging scholars can bring the equipment to materials around the world in a variety of settings. Bringing the equipment to the materials reduces the risks of handling damaged and vulnerable objects, which are typically the best candidates for this kind of work. So far, the Ghost Camera has been used to image medieval manuscripts, nineteenth-century handwritten and print materials, and more in a wide variety of settings. <\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">How do I locate and access materials?&nbsp;<\/h2>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"250\" src=\"https:\/\/grants.uccs.edu\/illuminating-the-past\/wp-content\/uploads\/sites\/10\/2026\/01\/Evangelas-Letters.png\" alt=\"\" class=\"wp-image-414\" style=\"aspect-ratio:1.2000182041596505;width:369px;height:auto\"\/><figcaption class=\"wp-element-caption\"><em>MSI can be used for contemporary projects such as faded and damaged family letters.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">There are numerous places an artifact can live. If you have an idea of what kind of object you might want to work with, but not which specific item would do the trick, there are a number of union catalogs for archives. The Library of Congress maintains a <a href=\"https:\/\/www.loc.gov\/coll\/nucmc\/\" target=\"_blank\" rel=\"noreferrer noopener\">National Union Catalog of Manuscript Collections<\/a>, and the Society of American Archivists maintains a list of multiple <a href=\"https:\/\/www2.archivists.org\/usingarchives\/findingandevaluating\" target=\"_blank\" rel=\"noreferrer noopener\">archives search tools<\/a>. In every case, the librarian, archivist, or other collection steward is your first port of call. They can help you navigate their collection and their finding aids to determine what items might be best for you to work with and what items might be too damaged or fragile for this kind of handling. Yes, MSI is non-invasive. But there are numerous other collection-care considerations at play, and the stewards of the objects are the experts here. Directly explain what you plan to do with the objects you\u2019re working with. A clear and honest explanation may be persuasive for permission, but keep in mind that in the end a \u201cno\u201d from the object\u2019s steward means no.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">How do I approach and handle objects with care and respect?&nbsp;<\/h2>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" src=\"https:\/\/grants.uccs.edu\/illuminating-the-past\/wp-content\/uploads\/sites\/10\/2026\/01\/Evan_Silvia_Searching-768x1024.jpg\" alt=\"Two women kneel to investigate old books in a small room with floor to ceiling books and archive storage furniture.\" class=\"wp-image-411\" style=\"aspect-ratio:0.7500173358296928;width:309px;height:auto\" srcset=\"https:\/\/grants.uccs.edu\/illuminating-the-past\/wp-content\/uploads\/sites\/10\/2026\/01\/Evan_Silvia_Searching-768x1024.jpg 768w, https:\/\/grants.uccs.edu\/illuminating-the-past\/wp-content\/uploads\/sites\/10\/2026\/01\/Evan_Silvia_Searching-225x300.jpg 225w, https:\/\/grants.uccs.edu\/illuminating-the-past\/wp-content\/uploads\/sites\/10\/2026\/01\/Evan_Silvia_Searching-1152x1536.jpg 1152w, https:\/\/grants.uccs.edu\/illuminating-the-past\/wp-content\/uploads\/sites\/10\/2026\/01\/Evan_Silvia_Searching-1536x2048.jpg 1536w, https:\/\/grants.uccs.edu\/illuminating-the-past\/wp-content\/uploads\/sites\/10\/2026\/01\/Evan_Silvia_Searching.jpg 1500w\" sizes=\"auto, (max-width: 768px) 100vw, 768px\" \/><figcaption class=\"wp-element-caption\"><em>Silvia Faccin, Curator of Manuscripts and Rare Books at Museo del Tesoro del Duomo e Archivio Capitolare in Vercelli, Italy, shows collaborators the Archive&#8217;s contemporary print collection.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">If you encounter an object in an established collection and have obtained permission to do the kind of work you\u2019re interested in doing, there are a couple of things to remember about how you handle objects with care and respect:&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Firstly, follow the instructions of the collection steward. For example: If they say gloves, use gloves; if they say no gloves, don\u2019t use gloves. Don\u2019t fight them on their rules. Following the rules helps to build a trusting relationship with the collection steward\u2014 an important step that will only benefit your project moving forward.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Secondly, be respectful of the work done before you. Remember, <strong>while you may be making discoveries <em>about <\/em>an object, you are not discovering it for the first time<\/strong>. If the object is in an archive, someone has collected and cared for it before you. Your predecessors\u2019 work likely includes: creating a finding aid (that you may have even used to locate this object); describing the object in a catalog record; and undertaking preservation activities. Know, honor, and acknowledge the work done in bringing the object to you.&nbsp;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Finally, move an item only with permission and care, whether that\u2019s moving it across the building, across the city, or across the country. As the caretakers of the collection, stewards are responsible for the object and asking to move it is a big request, one they are far more likely to grant to an individual they trust.&nbsp; Make this request with humility and respect for their knowledge of their collection. Again, building trust with an object\u2019s steward is a crucial part of your project. Recovery projects are collaborative in nature; check your ego at the door.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">What if I want to image an object that is privately owned or not in a formal collection?<\/h2>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:28px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"462\" height=\"596\" src=\"https:\/\/grants.uccs.edu\/illuminating-the-past\/wp-content\/uploads\/sites\/10\/2026\/01\/faded-literary-texts.png\" alt=\"a hand written literary text in verse with sketch of a female nude. The text has been rubbed out. MSI results in fluorescent contrasting colors are included on the bottom right to show the visual, non-invasive content recovery possible\" class=\"wp-image-427\" style=\"aspect-ratio:0.7751937984496124;width:308px;height:auto\" srcset=\"https:\/\/grants.uccs.edu\/illuminating-the-past\/wp-content\/uploads\/sites\/10\/2026\/01\/faded-literary-texts.png 462w, https:\/\/grants.uccs.edu\/illuminating-the-past\/wp-content\/uploads\/sites\/10\/2026\/01\/faded-literary-texts-233x300.png 233w\" sizes=\"auto, (max-width: 462px) 100vw, 462px\" \/><figcaption class=\"wp-element-caption\"><em>MSI results on a faded literary text in verse with hand-drawn illustration.<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">If you aren\u2019t sure how to handle an object appropriately from a technical perspective, you can never go wrong asking an expert in the field. If you\u2019ve found film, for example, reach out to an AV archivist about best practices. Be clear that you aren\u2019t asking them to accept the object into their collection, but rather asking them about the best practices of their field. You\u2019re looking for knowledge, not labor.&nbsp;<br>&nbsp;<br>As you would cite any source, remember to give credit to the people who have helped you throughout your project.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Many of the same considerations apply to objects that are outside of an established collection. If a person has the object you\u2019re interested in imaging, it matters to them. It might be their family papers or an heirloom; it might be a petroglyph in situ; no matter what, there are people with a relationship to that object. Respecting that relationship with an attitude of humility and care builds invaluable trust.&nbsp;&nbsp;<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">What are you using the Ghost Camera for?<\/h2>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:26px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"wp-block-paragraph\">We have been able to use the Ghost Camera on a wide variety of things, but we want to hear from you. How are you using these methods? <\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-fe48e5de wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link has-black-color has-text-color has-background has-link-color wp-element-button\" href=\"https:\/\/labs.uccs.edu\/crefdh\/contact\/\" style=\"background-color:#cfb87c\">Contact us here<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button has-custom-width wp-block-button__width-100 is-style-fill\"><a class=\"wp-block-button__link has-black-background-color has-text-color has-background has-link-color has-text-align-left wp-element-button\" href=\"https:\/\/grants.uccs.edu\/illuminating-the-past\/managing-an-msi-project\/\" style=\"color:#cfb87c\">Step 5: Managing an MSI Project \u2192<\/a><\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>What types of materials can I investigate with the Ghost Camera? One of the benefits of the Ghost Camera system is portability. Imaging scholars can bring the equipment to materials around the world in a variety of settings. 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