{"id":39,"date":"2021-09-29T21:54:13","date_gmt":"2021-09-29T21:54:13","guid":{"rendered":"https:\/\/grants.uccs.edu\/igma\/?page_id=39"},"modified":"2023-04-12T01:37:18","modified_gmt":"2023-04-12T01:37:18","slug":"institute-curriculum","status":"publish","type":"page","link":"https:\/\/grants.uccs.edu\/igma\/institute-curriculum\/","title":{"rendered":"Institute Curriculum"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">The intensive series of fourteen monthly virtual workshops (January 2022-December 2023) and two four-day in-person workshops at the University of Colorado\u2013Colorado Springs (summer 2022) and Vanderbilt University (summer 2023) will ensure the project meets its primary goal of shepherding humanists through a comprehensive immersive reality curriculum culminating in our participants\u2019 delivery of their own substantive projects.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"virtual-meetings-saturdays-9-am-12-pm-and-1-pm-to-430-pm-us-central-time-b9240be1-c499-4376-b081-fc1ae3ef8c39\">Virtual Workshops (Saturdays, 9 am 12 pm and 1 pm to 4:30 pm US Central Time)<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>January 29, 2022 &#8211; Global Middle Ages &#8211; Geraldine Heng<\/li>\n\n\n\n<li>February 26, 2022 &#8211; Interdisciplinary Studies &#8211; Lisa Fagin Davis<\/li>\n\n\n\n<li>April 2, 2022 &#8211; Workflows and Labs &#8211; David Fredrick<\/li>\n\n\n\n<li>April 30, 2022 &#8211; Patrimony and Preservation &#8211; Jaime Molina Vidal<\/li>\n\n\n\n<li>September 17, 2022 &#8211; Digital Stories and Histories &#8211; Sean Perrone<\/li>\n\n\n\n<li>October 22, 2022 &#8211; Neuropsychology in Immersive Worlds &#8211; Victor Schinazi<\/li>\n\n\n\n<li>November 19, 2022 &#8211; Indigenous Peoples and Inclusion &#8211; Amy N. Fredeen<\/li>\n\n\n\n<li>January 28, 2023 &#8211; Gender in Immersive Environments &#8211; Dorothy Kim<\/li>\n\n\n\n<li>February 25, 2023 &#8211; Digital Ethnography &#8211; Angel Nieves<\/li>\n\n\n\n<li>March 25, 2023 &#8211; Choreographing User Movement &#8211; Tracy Fullerton<\/li>\n\n\n\n<li>April 29, 2023 &#8211; Project Management &#8211; Madeleine Casad<\/li>\n\n\n\n<li>September 16, 2023 &#8211; Student Learning &#8211; David Neville<\/li>\n\n\n\n<li>October 14, 2023 &#8211; Digital Documentation &#8211; Lisa Snyder<\/li>\n\n\n\n<li>November 18, 2023 &#8211; Global Middle Ages Community &#8211; Catherine Holmes<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"inperson-meetings-3460e923-a78f-4c4e-94fc-6713ab62b73e\">In-Person Workshops<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>July 13-16, 2022 &#8211; University of Colorado, Colorado Springs, Colorado<\/li>\n\n\n\n<li>July 12-15, 2023 &#8211; Vanderbilt University, Nashville, Tennessee<\/li>\n<\/ul>\n\n\n\n<h1 class=\"wp-block-heading\">The Approach of Virtual and In-Person Workshops<\/h1>\n\n\n\n<p class=\"wp-block-paragraph\">Each virtual workshop, conducted on Saturdays to accommodate the work schedules of participants, will be bifurcated into a morning session (9 am to 12 noon), followed by a break for lunch, and an afternoon session (1pm to 4pm). Morning sessions, directed by Dr. Lynn Ramey, will be dedicated to seminar presentations and discussions of thematic, theoretical, and methodological issues associated with immersive technologies and the Global Middle Ages. Our invited speakers will play prominent teaching and facilitation roles in these workshops so that participants can explore issues such as digital storytelling, immersive worlds as cultural patrimony, neuropsychological considerations for mimicking the real world, game design and processes, and issues with representing diverse peoples. Prior to each workshop, participants are expected to complete a syllabus of readings as well as to have prepared relevant assignments (descriptive and analytical documentation, virtual model constructions, etc.). Afternoon sessions, taught by Dr. Martinez-Davila, will be dedicated to direct instruction using SketchUp Pro as a digital tool to construct cultural artifacts, objects, structures, and environments. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The two summer in-person workshops will focus on the advancement of each participant\u2019s immersive world constructions. Travel airfare\/ground transportation, hotel, and meals will be paid for each participant and the non-resident co-PI. The Institute\u2019s virtual curriculum maximizes digital instruction by drawing on Dr. Martinez-Davila\u2019s extensive expertise in digital education and we will apply OLC\u2019s Quality Course Teaching and Instructional Practice Scorecard.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Further, given the unpredictability of the COVID-19 pandemic, our Institute is perfectly adapted to facilitate our participants\u2019 full engagement regardless of their ability to travel; the majority of the Institute will be in a virtual setting and our summer in-person programs can easily be adapted to the virtual learning space. To plan for unexpected participant Internet connectivity issues, all virtual workshops will be recorded (via Zoom) so that absent participants can review any content they missed. In the unlikely occurrence of a UCCS or VU Internet service disruption, virtual workshops will be rescheduled and hosted on the Saturday following the originally planned date.<\/p>\n\n\n\n<h1 class=\"wp-block-heading\">Workshop Agendas <\/h1>\n\n\n\n<div class=\"wp-block-advgb-accordions advgb-accordions-6ffa9307-6853-4a38-89fa-2b2cbbcd383c advgb-accordion-wrapper\" data-collapsed=\"true\">\n<div class=\"wp-block-advgb-accordion-item advgb-accordion-item\" style=\"margin-bottom:15px\"><div class=\"advgb-accordion-header\" style=\"background-color:#00d084;color:#000000;border-style:solid;border-width:1px;border-radius:2px\"><span class=\"advgb-accordion-header-icon\"><svg fill=\"#fff\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewBox=\"0 0 24 24\"><path fill=\"none\" d=\"M0,0h24v24H0V0z\"><\/path><path d=\"M12,2C6.48,2,2,6.48,2,12s4.48,10,10,10s10-4.48,10-10S17.52,2,12,2z M17,13h-4v4h-2v-4H7v-2h4V7h2v4h4V13z\"><\/path><\/svg><\/span><h4 class=\"advgb-accordion-header-title\" style=\"color:inherit\"><strong>VW 1: An Introduction to the Global Middle Ages and Immersive Technologies<\/strong><\/h4><\/div><div class=\"advgb-accordion-body\" style=\"border-style:solid !important;border-width:1px !important;border-color:undefined !important;border-top:none !important;border-radius:2px !important\">\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Speaker:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dr. Geraldine Heng (University of Texas at Austin)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Morning Session Thematic Focus:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">How do we define the scholarship of the Global Middle Ages and how do we chart its future? How does the investigation of \u201crace\u201d impact and influence our view of the Global Middle Ages? [LR]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session Technical Focus:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">What is the state of the art in immersive technologies and how are they being applied in cultural, commercial, and entertainment projects? What do we perceive as applicable and accessible to scholars working in the Global Middle Ages? [RM]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session SketchUp Pro Training (Overview of software functions and assigned participant homework for VM 2):<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">SketchUp Fundamentals Courses 1-12 (01 Quick Start, 02 Core Concepts, 03Push Pull, 04Accuracy, 05 Drawing Tools, 06 Selections, 07 Grouping, 08 Components, 09 Tags (or Layers), 10 Move Tool, 11 Follow Me, 12 Inference Locking) [RM]<br><a href=\"https:\/\/learn.sketchup.com\/track\/sketchup-fundamentals-part-1\">https:\/\/learn.sketchup.com\/track\/sketchup-fundamentals-part-1<\/a> [RM]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Participant Independent Projects (due at VW 2):<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">None.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Readings:<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Holmes, Catherine and Naomi Standen. 2018. &#8220;Introduction: Towards a Global Middle Ages.&#8221; <em>Past &amp; Present<\/em> 238 (suppl_13): 1-44.<\/li>\n\n\n\n<li>Barrington, Candace and Jonathan Hsy. 2018. &#8220;Editors&#8217; Introduction: Chaucer&#8217;s Global Orbits and Global Communities.&#8221; <em>Literature Compass<\/em> 15 (6): e12457-n\/a.<\/li>\n\n\n\n<li>Heng, Geraldine. 2014. &#8220;Early Globalities, and its Questions, Objectives, and Methods: An Inquiry into the State of Theory and Critique.&#8221; <em>Exemplaria<\/em> (Binghamton, N.Y.) 26 (2-3): 234-253.<\/li>\n\n\n\n<li>Mart\u00ednez-D\u00e1vila, Roger Louis, Paddington Hodza, Mubbasir Kapadia, Sean T. Perrone, Christoph H\u00f6lscher, and Victor R. Schinazi. \u201cTelling Stories: Historical Narratives in Virtual Reality.\u201d <em>Routledge Digital Medieval Literature and Culture<\/em> eds. Jen Boyle and Helen J. Burgess. 2017. ISBN: 9781138905047. <a href=\"http:\/\/bit.ly\/2AXTTCJ\">http:\/\/bit.ly\/2AXTTCJ<\/a><\/li>\n\n\n\n<li>Psarra, Sophia. &#8220;City-craft: Assembling the City.&#8221; In <em>Venice Variations: Tracing the Architectural Imagination<\/em>, 27-81. London: UCL Press, 2018. Accessed February 6, 2021. <a href=\"http:\/\/www.jstor.org\/stable\/j.ctvqhspn.6\">http:\/\/www.jstor.org\/stable\/j.ctvqhspn.6<\/a>.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Sample Projects to Review:<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Venetian experience: the Tradesmen, the State, their Successors and our Challenge<\/li>\n\n\n\n<li>Virtual Plasencia (Spain) v1.0, A Global Middle Ages Project<\/li>\n\n\n\n<li><a href=\"http:\/\/globalmiddleages.org\/project\/virtual-plasencia\">http:\/\/globalmiddleages.org\/project\/virtual-plasencia<\/a><\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-advgb-accordion-item advgb-accordion-item\" style=\"margin-bottom:15px\"><div class=\"advgb-accordion-header\" style=\"background-color:#00d084;color:#000000;border-style:solid;border-width:1px;border-radius:2px\"><span class=\"advgb-accordion-header-icon\"><svg fill=\"#fff\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewBox=\"0 0 24 24\"><path fill=\"none\" d=\"M0,0h24v24H0V0z\"><\/path><path d=\"M12,2C6.48,2,2,6.48,2,12s4.48,10,10,10s10-4.48,10-10S17.52,2,12,2z M17,13h-4v4h-2v-4H7v-2h4V7h2v4h4V13z\"><\/path><\/svg><\/span><h4 class=\"advgb-accordion-header-title\" style=\"color:inherit\"><strong>VW 2: New Directions in Medieval Studies and the Digital Turn for the Annales School<\/strong><\/h4><\/div><div class=\"advgb-accordion-body\" style=\"border-style:solid !important;border-width:1px !important;border-color:undefined !important;border-top:none !important;border-radius:2px !important\">\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Speaker:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dr. Lisa Fagin Davis (Medieval Academy of America, Executive Director)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Morning Session Thematic Focus:<\/em><\/strong><strong> <\/strong>Why and how are interdisciplinary studies influencing new research questions in medieval studies? What is the role of scholars and researchers of the global Middle Ages in shaping this future? [LR]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session Technical Focus:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">What is the French Annales School of interdisciplinary research and how can it be applied to an immersive and digital analysis of the Global Middle Ages? [RM]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session SketchUp Pro Training <\/em><\/strong><em>(Overview of software functions and assigned participant homework for VW 3):<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">SketchUp for Landscape &amp; Site Design (01 Creating a Base Model, 02 Terrain &amp; Grading, 03 Materials &amp; Textures, 04 Furnishings &amp; Entourage, 05 Working with Vegetation, 06 Context Modeling, 07 Optimization, Collaboration &amp; Revisions)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/learn.sketchup.com\/track\/sketchup-landscape-site-design\">https:\/\/learn.sketchup.com\/courses\/sketchup-landscape-site-design<\/a> [RM]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Participant Independent Projects (due at VW 3):<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>SketchUp digital models of two modest medieval habitations or structures.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Readings:<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Wang, Q. Edward. 2020. &#8220;Toward a Multidirectional Future of Historiography: Globality, Interdisciplinarity, and Posthumanity.&#8221; <em>History and Theory<\/em> 59 (2): 283-302.<\/li>\n\n\n\n<li>Amer, Sahar and Lynn Ramey. 2018. &#8220;Teaching the Global Middle Ages through Technology.&#8221; Parergon 35 (2): 175-187.<\/li>\n\n\n\n<li>Huang, Chih-Hong and Yi-Ting Huang. 2013. &#8220;An Annales School-Based Serious Game Creation Framework for Taiwanese Indigenous Cultural Heritage.&#8221; <em>Journal on Computing and Cultural Heritage<\/em> 6 (2): 1-31.<\/li>\n\n\n\n<li>Forster, Robert. &#8220;Achievements of the Annales School.&#8221; <em>The Journal of Economic History<\/em>, vol. 38, no. 1, 1978, pp. 58-76.<\/li>\n\n\n\n<li>Hunt, Lynn. 1986. &#8220;French History in the Last Twenty Years: The Rise and Fall of the Annales Paradigm.&#8221; <em>Journal of Contemporary History<\/em> 21 (2): 209-224.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Sample Projects to Review:<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The Virtual Angkor Project (\u201cthe sprawling Cambodian metropolis of Angkor at the height of the Khmer empire\u2019s power and influence around 1300\u201d) <a href=\"https:\/\/www.virtualangkor.com\/\">https:\/\/www.virtualangkor.com\/<\/a><\/li>\n<\/ul>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-advgb-accordion-item advgb-accordion-item\" style=\"margin-bottom:15px\"><div class=\"advgb-accordion-header\" style=\"background-color:#00d084;color:#000000;border-style:solid;border-width:1px;border-radius:2px\"><span class=\"advgb-accordion-header-icon\"><svg fill=\"#fff\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewBox=\"0 0 24 24\"><path fill=\"none\" d=\"M0,0h24v24H0V0z\"><\/path><path d=\"M12,2C6.48,2,2,6.48,2,12s4.48,10,10,10s10-4.48,10-10S17.52,2,12,2z M17,13h-4v4h-2v-4H7v-2h4V7h2v4h4V13z\"><\/path><\/svg><\/span><h4 class=\"advgb-accordion-header-title\" style=\"color:inherit\"><strong>VW 3: Workflows and Labs for Humanists<\/strong><\/h4><\/div><div class=\"advgb-accordion-body\" style=\"border-style:solid !important;border-width:1px !important;border-color:undefined !important;border-top:none !important;border-radius:2px !important\">\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Speaker:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dr. David Fredrick (Tesseract Center for Immersive Environments and Game Design, University of Arkansas)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Morning Session Thematic Focus: <\/em><\/strong>What project management processes and tools should be used when managing multi-phased immersive worlds (conceptualization, resource identification, task assignment, milestone measurement)? [LR]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session Technical Focus:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">How does one technically approach defining a geovisualized location for historical and cultural investigation? How can Google Earth and Hi-res Nearmap be used to geolocate and create topographically accurate medieval cityscapes? [RM]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session SketchUp Pro Training: <\/em><\/strong><em>(Overview of software functions and assigned participant homework for VM 4):<\/em> Institute Training SketchUp Module (Geo-location with Google Earth and Hi-res Nearmap, Creating and fine-tuning terrain with Sandbox, Using CleanUp<sup>3<\/sup> to minimize model complexity and vertices, Using historical maps and city plans as modeling guides.) [RM]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Participant Independent Projects (due at VW 4):<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>SketchUp Terrain Model for the participant\u2019s region of study (4 km by 4km footprint).<\/li>\n\n\n\n<li>SketchUp digital \u201cdiorama\u201d model presenting a structure with pre-made objects and avatars.<\/li>\n\n\n\n<li>Participant\u2019s Inventory of Sources for historical modeling of targeted city\/region space.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Readings:<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u201cDesigning a Lab in the Humanities.\u201d 2017. CHE. February 7, 2017.<a href=\"https:\/\/www.chronicle.com\/article\/designing-a-lab-in-the-humanities\/\"> https:\/\/www.chronicle.com\/article\/designing-a-lab-in-the-humanities\/<\/a>.<\/li>\n\n\n\n<li>Fredrick, David. n.d. <em>Documents from the Tesseract Center for Immersive Environments and Game Design<\/em>.<\/li>\n\n\n\n<li>Pawlicka-Deger, Urszula. 2020. \u201cThe Laboratory Turn: Exploring Discourses, Landscapes, and Models of Humanities Labs.\u201d <em>Digital Humanities Quarterly<\/em> 14 (3).<\/li>\n\n\n\n<li>Ramey, Lynn, and Rebecca Panter. 2015. \u201cCollaborative Storytelling in Unity3D: Creating Scalable Long-Term Projects for Humanists.\u201d In <em>Interactive Storytelling<\/em>, edited by H. Schoenau-Fog, et al., 9445:357\u201360. Lecture Notes in Computer Science. Copenhagen: Springer-Verlag.<\/li>\n\n\n\n<li>Svensson, Patrik. 2016. \u201c4. Humanities Infrastructure.\u201d In <em>Big Digital Humanities: Imagining a Meeting Place for the Humanities and the Digital<\/em>. Ann Arbor: University of Michigan Press.<a href=\"https:\/\/muse.jhu.edu\/chapter\/1985376\"> https:\/\/muse.jhu.edu\/chapter\/1985376<\/a>.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Sample Projects to Review:<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Virtual Plasencia 2.0 (a SketchUp model of the Spanish city in the year 1400 CE)<\/li>\n\n\n\n<li>\u201cCork, Ireland: Recreating cities in 3D with SketchUp\u201d <a href=\"https:\/\/blog.sketchup.com\/home\/recreating-cities-in-3d-with-sketchup\">https:\/\/blog.sketchup.com\/home\/recreating-cities-in-3d-with-sketchup<\/a><\/li>\n<\/ul>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-advgb-accordion-item advgb-accordion-item\" style=\"margin-bottom:15px\"><div class=\"advgb-accordion-header\" style=\"background-color:#00d084;color:#000000;border-style:solid;border-width:1px;border-radius:2px\"><span class=\"advgb-accordion-header-icon\"><svg fill=\"#fff\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewBox=\"0 0 24 24\"><path fill=\"none\" d=\"M0,0h24v24H0V0z\"><\/path><path d=\"M12,2C6.48,2,2,6.48,2,12s4.48,10,10,10s10-4.48,10-10S17.52,2,12,2z M17,13h-4v4h-2v-4H7v-2h4V7h2v4h4V13z\"><\/path><\/svg><\/span><h4 class=\"advgb-accordion-header-title\" style=\"color:inherit\"><strong>VW 4: Virtual Patrimony and Cultural Preservation<\/strong><\/h4><\/div><div class=\"advgb-accordion-body\" style=\"border-style:solid !important;border-width:1px !important;border-color:undefined !important;border-top:none !important;border-radius:2px !important\">\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Speaker:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dr. Jaime Molina Vidal (Universidad de Alicante, Spain)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Morning Session Thematic Focus:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">How do cultural and historical memory (and the biases embedded within them) frame what we create? What cultural perspectives should we take into account when creating digital artifacts and immersive worlds? [LR]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session Technical Focus:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">What challenges do we encounter when modeling terrain for immersive worlds? How do we decide which geographic features are necessary and others that are extraneous? [RM]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session SketchUp Pro Training <\/em><\/strong><em>(Overview of software functions and assigned participant homework for Summer 2022 In-Person Institute): <\/em>Institute Training SketchUp Module (Placement and drawing of streets and pathways, Using tags to delineate types of movement patterns.) [RM]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Participant Independent Projects (due at SW 2022):<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>SketchUp City\/Village\/Region Map with primary streets, pathways, and major structures <\/em>(4 km by 4km footprint).<\/li>\n\n\n\n<li>Participant\u2019s <em>Inventory of Models<\/em> for historical modeling of human-built structures.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Readings<\/em>:<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>UNESCO. 2009. \u201cCharter on the Preservation of the Digital Heritage.\u201d<\/li>\n<\/ul>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-advgb-accordion-item advgb-accordion-item\" style=\"margin-bottom:15px\"><div class=\"advgb-accordion-header\" style=\"background-color:#00d084;color:#000000;border-style:solid;border-width:1px;border-radius:2px\"><span class=\"advgb-accordion-header-icon\"><svg fill=\"#fff\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewBox=\"0 0 24 24\"><path fill=\"none\" d=\"M0,0h24v24H0V0z\"><\/path><path d=\"M12,2C6.48,2,2,6.48,2,12s4.48,10,10,10s10-4.48,10-10S17.52,2,12,2z M17,13h-4v4h-2v-4H7v-2h4V7h2v4h4V13z\"><\/path><\/svg><\/span><h4 class=\"advgb-accordion-header-title\" style=\"color:inherit\"><strong>Summer 2022 Workshop:<\/strong> <strong>Envisioning Immersive Global Medieval Communities<\/strong><\/h4><\/div><div class=\"advgb-accordion-body\" style=\"border-style:solid !important;border-width:1px !important;border-color:undefined !important;border-top:none !important;border-radius:2px !important\">\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Wed, July 13, 2022 [RM]<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>17:00, Participants travel to Colorado Springs airport and arrive by 17:00.<\/li>\n\n\n\n<li>18:30, Welcome Dinner and Introductions<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Thu, July 14, 2022 [RM, LR]<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Before 9:00, Breakfast at Marriot restaurant<\/li>\n\n\n\n<li>9:00-9:15, Hotel shuttle service to campus<\/li>\n\n\n\n<li>9:15-9:30, Informal chat.<\/li>\n\n\n\n<li>9:30-10:00, Session 1: Overview of the Workshop<\/li>\n\n\n\n<li>10:00-11:00, Session 2: Storyboarding with Twine [LR]<\/li>\n\n\n\n<li>11:00-11:15, Short Break<\/li>\n\n\n\n<li>11:15-12:00, Session 3: Individual participant time to work on storyboards.<\/li>\n\n\n\n<li>12:00-13:30, Lunch break, conversation, and workshopping of stories.<\/li>\n\n\n\n<li>13:30-13:45, Short Break<\/li>\n\n\n\n<li>13:45-14:45, Session 4: Prioritizing Human Geographies [RM]<\/li>\n\n\n\n<li>14:45-15:45, Session 5: Individual participant time to work on prioritizations. [LR]<\/li>\n\n\n\n<li>15:45-16:00, Short Break<\/li>\n\n\n\n<li>16:00-17:00, Session 6: Augmented Reflections collaborative team presentation and demonstration (Fernando Felliu-Moggi, Sean Wybrant, Gavin Rogers, Minette Church, and Roger Martinez)<\/li>\n\n\n\n<li>17:00-17:15, Campus shuttle service to hotel<\/li>\n\n\n\n<li>17:15-18:30, Break<\/li>\n\n\n\n<li>18:30-21:00, Pre-arranged dinner and transportation to local restaurant.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Fri, July 15, 2022 [RM, LR]<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Before 8:30, Breakfast at Marriot restaurant <\/li>\n\n\n\n<li>8:30-8:45, Hotel shuttle service to campus<\/li>\n\n\n\n<li>8:45-9:00, Informal chat.<\/li>\n\n\n\n<li>9:00-10:00, Session 7: &#8220;Collaborating with Staff at Your Campus&#8221;, A visit with our resident intellectual entrepreneur, Sean Williams<\/li>\n\n\n\n<li>10:00-11:00, Session 8: Individual participant time to work on storyboards.<\/li>\n\n\n\n<li>11:00-11:15, Short Break<\/li>\n\n\n\n<li>11:15-12:15, Session 9: More on storyboarding [LR]<\/li>\n\n\n\n<li>12:15-13:15, Lunch break catered at University Center.<\/li>\n\n\n\n<li>13:15-14:45, Session 10: Workshopping &#8220;how to&#8221; create and model your immersive world (geographies, structures, and artifacts) <\/li>\n\n\n\n<li>14:45-15:15, Session 11: Overview of Fall 2022 Virtual&nbsp;Workshops and Adjournment [LR and RM]<\/li>\n\n\n\n<li>15:15-15:30, Campus shuttle service to hotel<\/li>\n\n\n\n<li>15:30-16:00, 30-minute rest and &#8220;freshen up&#8221; at hotel<\/li>\n\n\n\n<li>16:00-16:30, Optional: Shuttle service from hotel to Pikes Peak Cog Railway<\/li>\n\n\n\n<li>16:40-19:40, Roundtrip on the Pikes Peak Cog Railway<\/li>\n\n\n\n<li>19:40-20:15, Shuttle service to dinner for optional event.<\/li>\n\n\n\n<li>20:15-21:30, Pre-arranged dinner close to hotel.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Sat, July 16, 2022 [RM, LR] Optional Session<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Before 9:00, Breakfast at Marriot restaurant<\/li>\n\n\n\n<li>9:00-9:15, Hotel shuttle service to campus<\/li>\n\n\n\n<li>9:15-10:30, Bringing Digital Modeling to the Classroom: Teaching SketchUp in your college classroom and other collaborative venues [RM]<\/li>\n\n\n\n<li>10:30, Adjourn and participants travel to the Colorado Springs airport.<\/li>\n<\/ul>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-advgb-accordion-item advgb-accordion-item\" style=\"margin-bottom:15px\"><div class=\"advgb-accordion-header\" style=\"background-color:#00d084;color:#000000;border-style:solid;border-width:1px;border-radius:2px\"><span class=\"advgb-accordion-header-icon\"><svg fill=\"#fff\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewBox=\"0 0 24 24\"><path fill=\"none\" d=\"M0,0h24v24H0V0z\"><\/path><path d=\"M12,2C6.48,2,2,6.48,2,12s4.48,10,10,10s10-4.48,10-10S17.52,2,12,2z M17,13h-4v4h-2v-4H7v-2h4V7h2v4h4V13z\"><\/path><\/svg><\/span><h4 class=\"advgb-accordion-header-title\" style=\"color:inherit\"><strong>VW 5: Digital Storytelling and Modeling<\/strong><\/h4><\/div><div class=\"advgb-accordion-body\" style=\"border-style:solid !important;border-width:1px !important;border-color:undefined !important;border-top:none !important;border-radius:2px !important\">\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Speaker:<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dr. Sean Perrone (St. Anselm College, New Hampshire)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Morning Session Thematic Focus:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">How do we implement a digital story using a historical setting, objects, and avatars? [LR]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session Technical Focus:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Collaborative workshopping of storyboards and modeling. [RM]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session SketchUp Pro Training: <\/em><\/strong>Institute Training SketchUp Module (Creating original and modifying pre-made existing digital cultural artifacts) [RM]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Participant Independent Projects (due at VW 6):<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Revised Storyboard for Immersive World<\/li>\n\n\n\n<li>Residential or other human-built structure 1<\/li>\n\n\n\n<li>Significant historical object 1<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Readings:<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Visualizing Venice: Mapping and Modeling Time and Change in a City<\/em>, eds. Kristin Love Huffman, A. (Andrea) Giordano, and Caroline Astrid Bruzelius, 67-75; 128-143. Routledge Research in Digital Humanities. London\u202f; Routledge, Taylor &amp; Francis Group, 2018.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Virtual Reality and the Classroom: How Historians Can Respond | Perspectives on History | AHA<\/em>. <a href=\"https:\/\/www.historians.org\/research-and-publications\/perspectives-on-history\/october-2017\/virtual-reality-and-the-classroom-how-historians-can-respond\">https:\/\/www.historians.org\/research-and-publications\/perspectives-on-history\/october-2017\/virtual-reality-and-the-classroom-how-historians-can-respond<\/a>.<\/li>\n\n\n\n<li>Wall, J.N. 2014. &#8220;Transforming the Object of our Study: The Early Modern Sermon and the Virtual Paul\u2019s Cross Project&#8221;, Journal of Digital Humanities, 3(1).<\/li>\n\n\n\n<li>Wall, J.N. (no date) Virtual St. Paul\u2019s Cathedral, NC State University. Available at: https:\/\/vpcathedral.chass.ncsu.edu\/ (Accessed: 7 September 2022).<\/li>\n\n\n\n<li>\u2018Hearing the Sermon | Virtual Pauls Cross Website\u2019 (no date). Available at: https:\/\/vpcp.chass.ncsu.edu\/listen-the-sermon\/ (Accessed: 7 September 2022).<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Sample Projects to Review:<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Digital Narration of &#8220;La Mota&#8221; (Virtual Plasencia accompanied by the Texas Early Music Project (2017). Available at: <a href=\"https:\/\/canvas.uccs.edu\/courses\/127470\/modules\/items\/1885889\">https:\/\/www.youtube.com\/watch?v=KGJZ64h2i28<\/a> (Accessed: 12 September 2022).<\/li>\n<\/ul>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-advgb-accordion-item advgb-accordion-item\" style=\"margin-bottom:15px\"><div class=\"advgb-accordion-header\" style=\"background-color:#00d084;color:#000000;border-style:solid;border-width:1px;border-radius:2px\"><span class=\"advgb-accordion-header-icon\"><svg fill=\"#fff\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewBox=\"0 0 24 24\"><path fill=\"none\" d=\"M0,0h24v24H0V0z\"><\/path><path d=\"M12,2C6.48,2,2,6.48,2,12s4.48,10,10,10s10-4.48,10-10S17.52,2,12,2z M17,13h-4v4h-2v-4H7v-2h4V7h2v4h4V13z\"><\/path><\/svg><\/span><h4 class=\"advgb-accordion-header-title\" style=\"color:inherit\"><strong>VW 6: Cognitive and Spatial Neuropsychology Issues in Immersive Worlds<\/strong><\/h4><\/div><div class=\"advgb-accordion-body\" style=\"border-style:solid !important;border-width:1px !important;border-color:undefined !important;border-top:none !important;border-radius:2px !important\">\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Speaker:<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dr. Victor R. Schinazi (Bond University, Australia)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Morning Session Thematic Focus:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">How do persons experience the real world and how can this be mimicked in immersive VR environments? [LR]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session Technical Focus:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Participants will present their revised digital storyboards, human-built structures, and artifacts. Discussion will be focused on problem-solving issues with modeling digital items. [RM]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session SketchUp Pro Training:<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Training SketchUp Module with Oculus VR Headset (Designing and best practices for using Oculus VR headsets in immersive worlds.) [RM]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Participant Independent Projects (due at VW 7):<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Significant civic\/religious\/communal structure.<\/li>\n\n\n\n<li>Residential or other human-built structure 2<\/li>\n\n\n\n<li>Significant historical object 2<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-advgb-accordion-item advgb-accordion-item\" style=\"margin-bottom:15px\"><div class=\"advgb-accordion-header\" style=\"background-color:#00d084;color:#000000;border-style:solid;border-width:1px;border-radius:2px\"><span class=\"advgb-accordion-header-icon\"><svg fill=\"#fff\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewBox=\"0 0 24 24\"><path fill=\"none\" d=\"M0,0h24v24H0V0z\"><\/path><path d=\"M12,2C6.48,2,2,6.48,2,12s4.48,10,10,10s10-4.48,10-10S17.52,2,12,2z M17,13h-4v4h-2v-4H7v-2h4V7h2v4h4V13z\"><\/path><\/svg><\/span><h4 class=\"advgb-accordion-header-title\" style=\"color:inherit\"><strong>VW 7: Indigenous Peoples and Inclusivity in Immersive Worlds<\/strong><\/h4><\/div><div class=\"advgb-accordion-body\" style=\"border-style:solid !important;border-width:1px !important;border-color:undefined !important;border-top:none !important;border-radius:2px !important\">\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Speaker:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dr. Lynn Ramey (Vanderbilt University, TN)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Morning Session Thematic Focus:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">How should we approach issues of inclusivity and diversity in immersive games and worlds? [LR]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session Technical Focus:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Participants will present their human-built structures, and artifacts. Discussion will be focused on how to incorporate modest variations in existing models to diversify the visual environment [RM]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session SketchUp Pro Training:<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Training SketchUp Module (Modeling complex objects that incorporate mechanic elements or movement.) [RM]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Participant Independent Projects (due at VW 6):<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Three modest variants of residential or human-built structure.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Model of a mechanic object (for example, a water mill or water pump)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Readings:<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Hill, Christina Gish, and Medeia Csoba DeHass. \u201cDigital Representation of Indigenous Peoples through Sharing, Collaboration, and Negotiation: An Introduction.\u201d <em>Museum Anthropology Review<\/em>, vol. 12, no. 2, 2018, pp. 40\u201354.<\/li>\n\n\n\n<li>Massanari, Adrienne. \u201cNever Alone (Kisima In\u014bitchu\u014ba): Possibilities for Participatory Game Design.\u201d <em>Well Played<\/em>, vol. 4, Jan. 2015.<\/li>\n\n\n\n<li>Grant Roberts Blogger. \u201cPostmortem: E-Line Media and Upper One Games\u2019 <em>Never Alone<\/em>.\u201d <em>Game Developer<\/em>, 19 Feb. 2015, <a href=\"https:\/\/www.gamedeveloper.com\/audio\/postmortem-e-line-media-and-upper-one-games-i-never-alone-i-\">https:\/\/www.gamedeveloper.com\/audio\/postmortem-e-line-media-and-upper-one-games-i-never-alone-i-<\/a>.<\/li>\n<\/ul>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-advgb-accordion-item advgb-accordion-item\" style=\"margin-bottom:15px\"><div class=\"advgb-accordion-header\" style=\"background-color:#00d084;color:#000000;border-style:solid;border-width:1px;border-radius:2px\"><span class=\"advgb-accordion-header-icon\"><svg fill=\"#fff\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewBox=\"0 0 24 24\"><path fill=\"none\" d=\"M0,0h24v24H0V0z\"><\/path><path d=\"M12,2C6.48,2,2,6.48,2,12s4.48,10,10,10s10-4.48,10-10S17.52,2,12,2z M17,13h-4v4h-2v-4H7v-2h4V7h2v4h4V13z\"><\/path><\/svg><\/span><h4 class=\"advgb-accordion-header-title\" style=\"color:inherit\"><strong>VW 8: The Role of Gender in Immersive Environments<\/strong><\/h4><\/div><div class=\"advgb-accordion-body\" style=\"border-style:solid !important;border-width:1px !important;border-color:undefined !important;border-top:none !important;border-radius:2px !important\">\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Speaker:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dr. Dorothy Kim (Brandeis University)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Morning Session Thematic Focus:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">How do different genders experience immersive environments and what design considerations should be taken in account when creating these environments? [LR]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session Technical Focus:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Participants will present their variants of residential or human-built structures and models of mechanic objects. Discussion will be focused on problem-solving issues with modeling digital items. [RM]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session SketchUp Pro Training:<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Presentation on the use of avatars in immersive environments and where to find appropriate ones. [RM]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Participant Independent Projects (due at VW 9):<\/em><\/strong> Prototype immersive city neighborhood or section based on revised storyboard.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Readings: <\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Is the Oculus Rift Sexist? (Plus Response to Criticism) | Danah Boyd | Apophenia<\/em>. 3 Apr. 2014, <a href=\"https:\/\/www.zephoria.org\/thoughts\/archives\/2014\/04\/03\/is-the-oculus-rift-sexist.html\">https:\/\/www.zephoria.org\/thoughts\/archives\/2014\/04\/03\/is-the-oculus-rift-sexist.html<\/a>.<\/li>\n\n\n\n<li>Chang, Yangyuqi. <em>Females Are More Likely to Get Motion Sickness While Playing Video Games: A Comparative Study between PC Games and VR Games<\/em>. Northeastern University, 2020. Dissertation.<\/li>\n\n\n\n<li>Kenderdine, Sarah. (no date). <em>Installations &amp; Curated Exhibitions<\/em>. Available at: <a rel=\"noreferrer noopener\" href=\"https:\/\/sarahkenderdine.info\/\" target=\"_blank\">https:\/\/sarahkenderdine.info\/<\/a>. Accessed: 18 January 2023.<\/li>\n\n\n\n<li>Kenderdine, Sarah. \u201cEmbodiment, Entanglement, and Immersion in Digital Cultural Heritage.\u201d <em>A New Companion to Digital Humanities<\/em>, edited by Susan Schreibman et al., John Wiley &amp; Sons, Ltd, 2015, pp. 22\u201341.<\/li>\n\n\n\n<li>Kenderdine, Sarah. <em>Archival Variants in the \u2018Age of Experience\u2019 \u2013 Proceedings of the Digital Humanities Congress 2018<\/em>. <a href=\"https:\/\/www.dhi.ac.uk\/books\/dhc2018\/archival-variants-in-the-age-of-experience\/\">https:\/\/www.dhi.ac.uk\/books\/dhc2018\/archival-variants-in-the-age-of-experience\/<\/a>. Accessed 11 Apr. 2023.<\/li>\n\n\n\n<li>Kim, Dorothy. \u201cIntroduction: Media Histories, Media Archaeologies, and the Politics and Genealogies of the Digital Humanities.\u201d <em>Alternative Historiographies of the Digital Humanities<\/em>, edited by Adeline Koh and Dorothy Kim, 1st ed., punctum books, 2021, pp. 15\u201332.<\/li>\n\n\n\n<li>Kim, Dorothy. &#8220;Margery Kempe, racialised soundscapes, sonic wars, and cosmopolitan Jerusalem.&#8221; In <em>Encountering The Book of Margery Kempe \/ Edited by Laura Kalas and Laura Varnam<\/em>, eds. Laura Kalas and Laura Varnam. Manchester University Press, 2021, pp. 205-233.<\/li>\n\n\n\n<li>Kim, Dorothy and Lynn Ramey. &#8220;Chapter 1.&#8221; In<em> Global Medieval Digital Humanities<\/em>.<\/li>\n\n\n\n<li>Stanney, Kay, et al. \u201cVirtual Reality Is Sexist: But It Does Not Have to Be.\u201d <em>Frontiers in Robotics and AI<\/em>, vol. 7, Jan. 2020, p. 4.<\/li>\n\n\n\n<li><em>Bodies of Information: Feminist Debates in Digital Humanities \u2013 JACQUELINE WERNIMONT<\/em>. 7 May 2018, <a href=\"https:\/\/jwernimont.com\/bodies-of-information\/\">https:\/\/jwernimont.com\/bodies-of-information\/<\/a>.<\/li>\n<\/ul>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-advgb-accordion-item advgb-accordion-item\" style=\"margin-bottom:15px\"><div class=\"advgb-accordion-header\" style=\"background-color:#00d084;color:#000000;border-style:solid;border-width:1px;border-radius:2px\"><span class=\"advgb-accordion-header-icon\"><svg fill=\"#fff\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewBox=\"0 0 24 24\"><path fill=\"none\" d=\"M0,0h24v24H0V0z\"><\/path><path d=\"M12,2C6.48,2,2,6.48,2,12s4.48,10,10,10s10-4.48,10-10S17.52,2,12,2z M17,13h-4v4h-2v-4H7v-2h4V7h2v4h4V13z\"><\/path><\/svg><\/span><h4 class=\"advgb-accordion-header-title\" style=\"color:inherit\"><strong>VW 9: 3D Modeling, Immersive Technologies, and Digital Ethnography<\/strong><\/h4><\/div><div class=\"advgb-accordion-body\" style=\"border-style:solid !important;border-width:1px !important;border-color:undefined !important;border-top:none !important;border-radius:2px !important\">\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Speaker:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dr. Minette Church (University of Colorado-Colorado Springs, CO)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Morning Session Thematic Focus:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">What are the best practices for immersive projects related to digital ethnography? [LR]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session Technical Focus:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Five (5) of fifteen participants will present their prototype immersive city neighborhood for peer review. [RM]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session SketchUp Pro Training:<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Institute Training SketchUp Module (Demonstrating SketchUp immersive worlds for the public using Oculus VR headsets.) [RM]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Participant Independent Projects (due at VW 10):<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Revision 1 of prototype immersive city neighborhood or section based on revised storyboard.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Readings:<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Church, Minette. &#8220;La luz de Acelte es Triste.&#8221; In <em>Archaeology of the Night: Life After Dark in the Ancient World<\/em>, eds. Nancy Gonlin and April Nowell. 1st edition, University Press of Colorado, 2017, pp. 95-116.<\/li>\n\n\n\n<li>&#8220;Santa F\u00e9 Trail.&#8221; <em>Colorado Encyclopedia<\/em>. 21 Aug. 2015, <a href=\"https:\/\/coloradoencyclopedia.org\/article\/santa-f%C3%A9-trail-0\">https:\/\/coloradoencyclopedia.org\/article\/santa-f%C3%A9-trail-0<\/a>.<\/li>\n<\/ul>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-advgb-accordion-item advgb-accordion-item\" style=\"margin-bottom:15px\"><div class=\"advgb-accordion-header\" style=\"background-color:#00d084;color:#000000;border-style:solid;border-width:1px;border-radius:2px\"><span class=\"advgb-accordion-header-icon\"><svg fill=\"#fff\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewBox=\"0 0 24 24\"><path fill=\"none\" d=\"M0,0h24v24H0V0z\"><\/path><path d=\"M12,2C6.48,2,2,6.48,2,12s4.48,10,10,10s10-4.48,10-10S17.52,2,12,2z M17,13h-4v4h-2v-4H7v-2h4V7h2v4h4V13z\"><\/path><\/svg><\/span><h4 class=\"advgb-accordion-header-title\" style=\"color:inherit\"><strong>VW 10: The Choreography of Game Play and User Movement in Immersive Environments<\/strong><\/h4><\/div><div class=\"advgb-accordion-body\" style=\"border-style:solid !important;border-width:1px !important;border-color:undefined !important;border-top:none !important;border-radius:2px !important\">\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Speaker:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Prof. Tracy Fullerton (University of Southern California)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Morning Session Thematic Focus:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Using \u201cWalden, A Game\u201d as a departure point, how can we choreography users\u2019 exploration of immersive environments? What lessons can we draw from games? [LR]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session Technical Focus:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Five (5) of fifteen will present their prototype immersive city neighborhood for peer review. [RM]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session SketchUp Pro Training:<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Institute Training Dublin Core Metadata Schema Module (Documenting, describing, indexing, and archiving digital objects using the Dublin Core Metadata Schema.) [RM]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Participant Independent Projects (due at VW 11):<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Final immersive city neighborhood or section based on revised storyboard.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Readings:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Fullerton, Tracy. &#8220;Surveying the Soul: Creating <em>Walden, The Game<\/em>.&#8221; In <em>World-Builders on World-Building: An Exploration of Subcreation<\/em>, ed. Wolf, Mark J. P. 1st ed., Routledge, 2020, pp. 93-109.<\/li>\n<\/ul>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-advgb-accordion-item advgb-accordion-item\" style=\"margin-bottom:15px\"><div class=\"advgb-accordion-header\" style=\"background-color:#00d084;color:#000000;border-style:solid;border-width:1px;border-radius:2px\"><span class=\"advgb-accordion-header-icon\"><svg fill=\"#fff\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewBox=\"0 0 24 24\"><path fill=\"none\" d=\"M0,0h24v24H0V0z\"><\/path><path d=\"M12,2C6.48,2,2,6.48,2,12s4.48,10,10,10s10-4.48,10-10S17.52,2,12,2z M17,13h-4v4h-2v-4H7v-2h4V7h2v4h4V13z\"><\/path><\/svg><\/span><h4 class=\"advgb-accordion-header-title\" style=\"color:inherit\"><strong>VW 11: Project Management for Digital Humanities<\/strong><\/h4><\/div><div class=\"advgb-accordion-body\" style=\"border-style:solid !important;border-width:1px !important;border-color:undefined !important;border-top:none !important;border-radius:2px !important\">\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Speaker:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dr. Madeleine Casad (Vanderbilt University)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Morning Session Thematic Focus:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">What are the best practices for managing complex digital humanities projects that require extensive collaboration? [LR]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session Technical Focus:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Five (5) of fifteen participants will present their prototype immersive city neighborhood for peer review. [RM]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session SketchUp Pro Training:<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Institute Training SketchUp Module (Best practices for creating landscape and environment features in immersive worlds.) [RM]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Participant Independent Projects (due at Vanderbilt University Summer 2023 Workshop):<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Second prototype immersive city neighborhood or section based on revised storyboard.<\/li>\n<\/ul>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-advgb-accordion-item advgb-accordion-item\" style=\"margin-bottom:15px\"><div class=\"advgb-accordion-header\" style=\"background-color:#00d084;color:#000000;border-style:solid;border-width:1px;border-radius:2px\"><span class=\"advgb-accordion-header-icon\"><svg fill=\"#fff\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewBox=\"0 0 24 24\"><path fill=\"none\" d=\"M0,0h24v24H0V0z\"><\/path><path d=\"M12,2C6.48,2,2,6.48,2,12s4.48,10,10,10s10-4.48,10-10S17.52,2,12,2z M17,13h-4v4h-2v-4H7v-2h4V7h2v4h4V13z\"><\/path><\/svg><\/span><h4 class=\"advgb-accordion-header-title\" style=\"color:inherit\"><strong>Summer 2023 Workshop:<\/strong><br><strong>Envisioning Immersive Global Medieval Communities<\/strong><\/h4><\/div><div class=\"advgb-accordion-body\" style=\"border-style:solid !important;border-width:1px !important;border-color:undefined !important;border-top:none !important;border-radius:2px !important\">\n<p class=\"wp-block-paragraph\"><strong><em>Wed, July 12, 2023 [LR]<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>17:00, Participants travel to Nashville airport and arrive by 17:00.<\/li>\n\n\n\n<li>18:30, Welcome Dinner and Introductions<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Thu, July 13, 2023 [LR, RM]<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>8:15-8:30, Hotel shuttle service to campus<\/li>\n\n\n\n<li>8:30-9:30, Breakfast at VU Digital Humanities Center (same as meeting room)<\/li>\n\n\n\n<li>9:30-10:00, Session 1: Overview of the Workshop<\/li>\n\n\n\n<li>10:00-12:00, Session 2: \u201cTelling Stories via Immersive Dioramas, Part 1: Choreographing User Movement and Interaction\u201d<\/li>\n\n\n\n<li>12:00-12:15, Short Break<\/li>\n\n\n\n<li>12:15-12:45, Session 3: Two-person teams share and critique their stories.<\/li>\n\n\n\n<li>12:45-13:45, Lunch break catered at VU Digital Humanities Center<\/li>\n\n\n\n<li>13:45-15:45, Session 4: \u201cIntegrating Your City Neighborhoods into a Comprehensive Immersive World: How do we build and populate the larger city environment around our immersive focal points?\u201d<\/li>\n\n\n\n<li>15:45-16:00, Short Break<\/li>\n\n\n\n<li>16:00-17:00, Session 5: \u201cIntroduction to Public Presentations of Immersive Environments: Creating Pop-Up Museum Exhibitions using Oculus VR headsets and Digital Projection\u201d<\/li>\n\n\n\n<li>17:00-17:15, Campus shuttle service to hotel<\/li>\n\n\n\n<li>17:15-18:30, Break<\/li>\n\n\n\n<li>18:30-21:00, Pre-arranged dinner and transportation to local restaurant.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Fri, July 14, 2023 [LR, RM]<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>8:15-8:30, Hotel shuttle service to campus<\/li>\n\n\n\n<li>8:30-9:30, Breakfast at VU Digital Humanities Center (same as meeting room)<\/li>\n\n\n\n<li>9:30-12:00, Session 6: \u201cTelling Stories via Immersive Dioramas, Part 2: Choreographing User Movement and Interaction\u201d<\/li>\n\n\n\n<li>12:00-12:15, Short Break<\/li>\n\n\n\n<li>12:15-12:45, Session 7: Two-person teams share and critique their stories.<\/li>\n\n\n\n<li>12:45-13:45, Lunch break catered at VU Digital Humanities Center<\/li>\n\n\n\n<li>13:45-15:45, Session 8: \u201cMaking Hard Choices: Prioritizing and Planning Your Remaining Work on Your Immersive World\u201d<\/li>\n\n\n\n<li>15:45-16:00, Short Break<\/li>\n\n\n\n<li>16:00-17:00, Session 9: Overview of Fall 2023 Virtual Workshops and Adjournment (optional Saturday session is planned for those who do not need to depart early on Saturday morning.)<\/li>\n\n\n\n<li>17:00-17:15, Campus shuttle service to hotel<\/li>\n\n\n\n<li>17:15-18:30, Break<\/li>\n\n\n\n<li>18:30-21:00, Pre-arranged dinner and transportation to local restaurant.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Sat, July 15, 2023 [LR, RM] Optional Session<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>8:15-8:30, Hotel shuttle service to campus<\/li>\n\n\n\n<li>8:30-9:30, Breakfast at VU Digital Humanities Center (same as meeting room)<\/li>\n\n\n\n<li>9:30-11:00, Saturday Session: Mobilizing Students, the Community, and Colleagues for Pop-Up Public Presentations\u201d<\/li>\n\n\n\n<li>11:00, Adjourn and participants make their own arrangements to travel to the Nashville airport.<strong><\/strong><\/li>\n<\/ul>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-advgb-accordion-item advgb-accordion-item\" style=\"margin-bottom:15px\"><div class=\"advgb-accordion-header\" style=\"background-color:#00d084;color:#000000;border-style:solid;border-width:1px;border-radius:2px\"><span class=\"advgb-accordion-header-icon\"><svg fill=\"#fff\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewBox=\"0 0 24 24\"><path fill=\"none\" d=\"M0,0h24v24H0V0z\"><\/path><path d=\"M12,2C6.48,2,2,6.48,2,12s4.48,10,10,10s10-4.48,10-10S17.52,2,12,2z M17,13h-4v4h-2v-4H7v-2h4V7h2v4h4V13z\"><\/path><\/svg><\/span><h4 class=\"advgb-accordion-header-title\" style=\"color:inherit\"><strong>VW 12: Student learning, public education, and immersive environments<\/strong><\/h4><\/div><div class=\"advgb-accordion-body\" style=\"border-style:solid !important;border-width:1px !important;border-color:undefined !important;border-top:none !important;border-radius:2px !important\">\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Speaker:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dr. David Neville (Grinnell College)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Morning Session Thematic Focus:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">How can we construct user-friend immersive environments that facilitate student learning and public education? [LR]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session Technical Focus:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Collaborative problem-solving discussions to support participants\u2019 completion of their immersive world projects. [RM]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session SketchUp Pro Training:<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">None [RM]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Participant Independent Projects (due at VW 6):<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Prototype immersive world project<\/li>\n<\/ul>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-advgb-accordion-item advgb-accordion-item\" style=\"margin-bottom:15px\"><div class=\"advgb-accordion-header\" style=\"background-color:#00d084;color:#000000;border-style:solid;border-width:1px;border-radius:2px\"><span class=\"advgb-accordion-header-icon\"><svg fill=\"#fff\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewBox=\"0 0 24 24\"><path fill=\"none\" d=\"M0,0h24v24H0V0z\"><\/path><path d=\"M12,2C6.48,2,2,6.48,2,12s4.48,10,10,10s10-4.48,10-10S17.52,2,12,2z M17,13h-4v4h-2v-4H7v-2h4V7h2v4h4V13z\"><\/path><\/svg><\/span><h4 class=\"advgb-accordion-header-title\" style=\"color:inherit\"><strong>VW 13: Digitally Documenting Historical Immersive Environments<\/strong><\/h4><\/div><div class=\"advgb-accordion-body\" style=\"border-style:solid !important;border-width:1px !important;border-color:undefined !important;border-top:none !important;border-radius:2px !important\">\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Speaker:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dr. Lisa Snyder (University of California at Los Angeles)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Morning Session Thematic Focus:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Using a reconstruction model of the Temple Mount in Jerusalem as a discussion departure point, what are the best practices for digital documentation of historical urban environments? [LR]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session Technical Focus:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Collaborative problem-solving discussions to support participants\u2019 completion of their immersive world projects. [RM]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session SketchUp Pro Training: <\/em><\/strong>Institute None.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Participant Independent Projects (due at VW 14):<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Revision 1 immersive world project.<\/li>\n<\/ul>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-advgb-accordion-item advgb-accordion-item\" style=\"margin-bottom:15px\"><div class=\"advgb-accordion-header\" style=\"background-color:#00d084;color:#000000;border-style:solid;border-width:1px;border-radius:2px\"><span class=\"advgb-accordion-header-icon\"><svg fill=\"#fff\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"24\" height=\"24\" viewBox=\"0 0 24 24\"><path fill=\"none\" d=\"M0,0h24v24H0V0z\"><\/path><path d=\"M12,2C6.48,2,2,6.48,2,12s4.48,10,10,10s10-4.48,10-10S17.52,2,12,2z M17,13h-4v4h-2v-4H7v-2h4V7h2v4h4V13z\"><\/path><\/svg><\/span><h4 class=\"advgb-accordion-header-title\" style=\"color:inherit\"><strong>VW 14: The Immersive Global Middle Ages Community<\/strong><\/h4><\/div><div class=\"advgb-accordion-body\" style=\"border-style:solid !important;border-width:1px !important;border-color:undefined !important;border-top:none !important;border-radius:2px !important\">\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Speaker:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dr. Catherine Holmes (Oxford University, UK)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Morning Session Thematic Focus:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">How are the global Middle Ages changing as a field of study and community? What is our role in shaping its future? [LR]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session Technical Focus:<\/em><\/strong><strong><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Final guidelines for submissions of participants\u2019 projects for inclusion in the UCCS Digital Collection at the UCCS Archives. [RM]<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Afternoon Session SketchUp Pro Training:<\/em><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">None.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Participant Independent Projects (due at end of November 2023):<\/em><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Final immersive world project.<\/li>\n<\/ul>\n<\/div><\/div>\n<\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The intensive series of fourteen monthly virtual workshops (January 2022-December 2023) and two four-day in-person workshops at the University of Colorado\u2013Colorado Springs (summer 2022) and Vanderbilt University (summer 2023) will ensure the project meets its primary goal of shepherding humanists through a comprehensive immersive reality curriculum culminating in our participants\u2019 delivery of their own substantive [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","h5ap_radio_sources":[],"footnotes":""},"class_list":["post-39","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - 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